Story features a main character who is a person of color.

Oasis Beckoning

Cover for Oasis Beckoningby Jacqueline Brocker

Nearly dead from thirst and the sun, a man fled through the desert. Just when he believed he could no longer go on, he stumbled upon a deep pool in a jungle at the edge of the wasteland. The water soothed his parched throat and gave comfort to his burnt skin. Then, that which lived in the pool gave him a stranger and altogether more intimate kind of comfort. (F/M)

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The Brig

Cover for The Brig by Mason Powell

This classic gay BDSM novel, set near the end of the Viet Nam war, has been out of print for almost 20 years. The Brig is a brutally dark erotic drama of a young sailor confined to a military prison where he tortured with pain, fear, sexuality, and mind games to force changes in his psyche and break his spirit. The sailor learns things about himself and his captors that will transform him and challenge those who hold him. (M/M)

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El Espectro

Story Cover for El Espectroby R.W. Whitefield

Marco was born into a ranch family in the middle of nowhere, a young gay man with no one to confide in but the endless blue sky. The only person with whom he can find any release is El Espectro, a fictional gunslinger from the pages of a pornographic pulp magazine. Marco’s fantasies about the dangerous and erotic outlaw are intense, his only comfort in isolation. Things begin to change, though, when one of the ranch hands almost intercepts the next issue of Marco’s magazine. (M/M)

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Fancy Man and the Three Princes
Book Four – Fancy Man Series

Cover for The Fancy Man and the Three Princesby Julian Keys

When Mason’s best friend Robbie is dumped by his boyfriend a week before his birthday, it’s up the “Fancy Man” to try and repair the bartender’s broken heart with a natal day fantasy. He comes up with the idea of offering Robbie three “princes” each with a special gift—and sexual expertise. Even as these princes woo Robbie “on-stage” however, backstage has its problems. The submissives playing the princes need Mason to master them, and his own slave, Charles, is acting strangely. While Mason has always been master and director during the fantasy, he’s not so certain about his role after the fantasy ends. This time, the reality as much as the fantasy will determine not only Robbie’s future happiness, but that of Charles and Mason. (M/M+)

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Fancy Man and the Lipstick Lesbian
Book Three – Fancy Man Series

Cover for The Fancy Man and the Lipstick Lesbianby Julian Keys

When leatherman Mason—the Fancy Man—discovered lipstick lesbian Katie out in the Cockpit Bar’s parking lot, weeping for her lost lover, he was all sympathy. Given how perfumed and delicate she was, however, he wasn’t at all sure how to get the bar’s tough leatherdykes to take her seriously. Then it came to him: he’d star her in a whipping scene at the bar. The problem? The best with a whip was leatherman Burke, and Burke was not only aggressively gay, but adverse to anything remotely feminine. Could Mason and his submissive, Charles, get these two to work together? More, could he get them to connect? This one looked to be beyond even the Fancy Man’s magic. (M/M)

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Fancy Man and the Southern Gentleman
Book Two – Fancy Man Series

Cover for The Fancy Man and the Southern Gentlemanby Julian Keys

Leatherman Mason—The Fancy Man—is used to strange requests, but the one from Charles Beaumont, a masochist from the Deep South, is the strangest yet. Long troubled by the fact that his ancestors were slave owners, Charles wants Mason punish him for his family’s sins. Despite his misgivings, Mason is drawn to this young white Southern gentleman. Mason agrees to take on the challenge of exorcizing Charles’ ghosts, but he soon learns that freeing a modern slave from the chains of the past isn’t so easy—nor will it leave the modern man playing his Master unchanged. (M/M)

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Fancy Man and the Black Lion’s Mark
Book One – Fancy Man Series

Cover for Fancy Mand and the Black Lion's Markby Julian Keys

Just hand me a good idea, and I’ll set the stage and create the costumes. I’ll make it real. Such is the motto of Mason, a big back leatherman with a reputation for intense role-playing. Unfortunately, most of the bottoms in Mason’s local leather bar have cliché fantasies. They want him to play the stereotypical role of bad-ass cellmate or gangbanger. Then enters Leo—an older gent who had nothing at all to offer—not youth or good looks, or even stamina. Leo, however, has something Mason hasn’t had before—a pulpy fetish decades old and far from the usual. The Fancy Man cannot refuse such a challenge!

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